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Black & White Photography

102 Pages · 2015 · 16.53 MB · English

  • Black & White Photography

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    IIFFCC__BBWW__118800..iinndddd 11 77//1144//1155 44::3322 PPMM EDITOR’S LETTER O ne of the great joys of my life, something else. We have a tactile engagement – we


    and I’m sure this is the case for can pick them up for closer scrutiny, take them to


    © Anthony Roberts many of you too, is going to the window to see them in daylight, feel the quality


    photographic exhibitions. To of the paper and smell the ink. It’s special.


    spend time looking, enjoying, This is what we proudly present to the judges.


    really seeing beautiful prints This is the ultimate in photography, the finished


    framed and displayed on the wall. It’s a time for print. And, in an era of throwaway and disposable


    engaging fully with the photographer and discovering imagery, isn’t that something to be proud of?


    what it is that they are saying, what they want to I don’t think I’ll ever stop loving photographic


    reveal to the viewer. It’s an exceptional experience. prints, however many viewing devices are invented,


    And that’s why I love the fact that here at exciting though they may be. I have prints on my


    Black+White we run one of the few competitions walls that I will never part with, done by some of the


    that ask the shortlisted candidates to submit prints. photographers I most admire, but more than that –


    The Black+White Photographer of the Year 2015 they have come to mean something to me and have


    has just launched and it’s a time that generates become part of my life, and who I am.


    real excitement in the office. Looking at pictures I don’t think we should let printing go, I think we


    Elizabeth Roberts, Editor on a screen is one experience – and a good one at should develop the skills and give it the time that is


    [email protected] that – but when the shortlisted prints arrive that’s needed to learn how to do it well.


    PINBOARD


    facebook.com/blackandwhitephotog follow us on Twitter @BWPMag


    SHOOTING THE


    URBAN LANDSCAPE


    Known on B+W’s Twitter feed for


    posting his creative urban street shots,


    Roj Whitelock’s picture Run is a strong


    addition to his portfolio. With a dynamic


    composition that helps to draw us into


    the photograph, Roj used an Olympus


    OM-D EM-1 camera and a Zuiko Pro 12- 01


    40mm lens. This picture was taken one B+W


    evening this summer in Norwich.


    © David Hixon


    OUTLET Follow Roj on Twitter: @rojwhitelock


    David Hixon’s exquisite image Outlet was taken


    near his home at Goodrington Beach, Devon.


    Combining his artistic eye with a long exposure


    and two lens filters, David has captured a


    mesmerising monochrome seascape. He used


    a Nisi 100 ND filter and a Kood 09 Gradient


    filter on his Canon 5D MkII.


    picture.devon.co.uk


    © Roj Whitelock


    © Andy Davidson


    SELF-PORTRAIT


    As photographers we normally stay


    behind the lens, keeping our faces out


    of shot and letting the way we see the


    world reveal a part of us instead. Andy


    Davidson’s intriguing image shows how


    © Steve Unsworth


    it’s just as important to experiment with


    A PHOTOGRAPH WE LOVE


    taking self-portraits. Turning the camera


    Having his Leica M6 camera close to hand at Germany’s Sinsheim Auto & Technik Muesum around makes us consider how we choose


    recently, Steve Unsworth took this photograph of motorcycles. Using the silhouette look to to represent ourselves.


    full effect, Steve’s image works perfectly in black & white. See more of Andy’s work here:


    Follow Steve on Twitter: @stunsworth flickr.com/photos/dan_gleebitz


    0011__EEDDSS__LLEETTTTEERR//PPIINNBBOOAARRDD__MMBB//AABBEE..iinndddd 11 1166//0077//22001155 1100::2233 © Lisa Krantz


    1100


    ISSUE 180


    SEPTEMBER


    2015


    © Elke Vogelsang


    COVER IMAGE


    © Brett Killington © Daido Moriyama © Tim Clinch


    26 50© Alain Laboile 78


    This month's cover is


    by Elke Vogelsang. See


    more of her work at


    elkevogelsang.com.


    GET IN TOUCH


    02


    Tel 01273 477374


    B+W facebook.com/


    blackandwhitephotog


    twitter.com/BWPMag


    EDITOR


    Elizabeth Roberts


    [email protected]


    DEPUTY EDITOR


    Mark Bentley


    [email protected]


    ASSISTANT EDITOR


    Anna Bonita Evans


    [email protected] FEATURES NEWS COMMENT


    FOR FULL 10 A LIFE APART 4 NEWSROOM 24 AMERICAN


    DETAILS OF Lisa Krantz’s The latest from the land CONNECTION


    compassionate pictures of a of B&W Susan Burnstine meets a


    HOW TO GET


    man suffering from obesity photographer with a difference


    PUBLISHED IN 9 ON THE SHELF


    26 THE KILLING The best of the new 46 FACING FACTS


    BLACK+WHITE


    FIELDS photography books Thomas Peck looks at


    PHOTOGRAPHY Evocative pictures of World the choices facing portrait


    TURN TO War One battlefields by 20 IN THE FRAME photographers


    Brett Killington Photography exhibitions


    PAGE 54. across the country 50 A MODERN EYE


    80 60-SECOND Shoair Mavlian on the


    EXPOSURE 22 EXHIBITION art of the photobook


    NEXT MONTH’S Ajit Menon is fascinated by OF THE MONTH


    ISSUE IS OUT ON the natural world The show to see 78 A FORTNIGHT


    AT F/8


    3 SEPTEMBER


    Tim Clinch on lists for


    photographers


    22__33__118800__CCOONNTTEENNTTSS //MMBB..iinndddd 22 1166//0077//22001155 1122::4433 © Tracy Hallett © Lea Murphy


    38 32


    © Lee Frost © Therese Lynch


    60 44


    03


    B+W


    TESTS AND YOUR


    TECHNIQUE INSPIRATION PRODUCTS BLACK+WHITE


    60 RAISE YOUR 6 BLACK+WHITE 70 LEICA M 32 PORTFOLIO


    STANDARD PHOTOGRAPHER MONOCHROM Prize-winning pictures


    Lee Frost on the versatile OF THE YEAR 2015 Leica’s high-spec B&W camera


    50mm lens Win a fabulous Leica camera put to the test 82 SMARTSHOTS


    Send us your


    66 PHOTO PROJECTS 38 MINDFUL 74 CHECKOUT smartphone pictures


    Tim Daly has an PHOTOGRAPHY The six best toy cameras


    intriguing challenge for you How to stop looking and 86 NEXT MONTH


    start seeing 84 BLACK+WHITE What we’re planning next


    72 SMART GUIDE LOVES


    TO PHOTOGRAPHY 44 READER Cool kit for photographers 94 SUBS OFFER


    Tim Clinch on an app you’ll love ASSIGNMENT Have B+W


    Prize-winning pictures delivered to your door


    56 ALL ABOUT 96 LAST FRAME


    PRINTING A single image we love


    Explore the power of the print


    with Eddie Ephraums


    22__33__118800__CCOONNTTEENNTTSS //MMBB..iinndddd 33 1166//0077//22001155 1122::4433 NEWSROOM


    NEWS


    News from the black & white world. Edited by Mark Bentley. [email protected]


    © National Media Museum, Bradford


    HIGH CONTRAST


    Black & white photographer


    Matt Black has been made a


    Magnum Nominee at the prestigious


    photo agency. Black, who grew


    up in California, explores themes


    of migration, farming and poverty


    in his work and was named Time


    Magazine Instagram Photographer


    of the Year in 2014.


    mattblack.com


    A day of photography talks is


    in store at the University of Warwick


    on 20 September. The event,


    organised by the Royal Photographic


    Society, features Joe Cornish,


    Photoshop artist Steve Caplin and


    B+W contributor Eddie Ephraums.


    Visitors can also hear talks on colour


    management, mono and colour


    04 printing, Lightroom and Photoshop.


    B+W rps.org/DIExpo


    Portrait of Christina, 1913, by Lieutenant Colonel Mervyn O'Gorman, the Royal Photographic Society Collection.


    Saturday Night at the Movies


    is the theme for this year’s MYSTERY REVEALED


    Student Photographer of the Year.


    The Harman/Ilford competition


    invites photography students to


    submit images that inspire them The mystery surrounding the identity of a young Museum in Bradford. It was spotted by retired


    of a scene from a film. Deadline: woman in a historic photograph has been revealed. technician Stephen Riddle, who contacted Colin


    31 January 2016. The picture of a girl called Christina is an early to say he had a set of stereoscopic slides by


    harmantechnology.com/


    colour photograph by Mervyn O’Gorman. Despite Mervyn O’Gorman.


    studentcomp2015


    its modern look, the photograph was taken in The slides feature colour autochrome pictures


    The best in contemporary


    1913. B+W contributor Colin Harding wrote about not previously seen by anyone at the museum.


    photojournalism goes on display


    it in B+W 169, saying initially the girl was thought Captions refer to Edwyn and Daisy Bevan along


    at Perpignan in France from


    29 August to 13 September. to be O’Gorman’s daughter, but research showed with their children Anne and Christina. The


    The 27th Festival of International he had no children. pictures were taken at West Lulworth in Dorset


    Photojournalism features The image was used as the promotional picture and Chelsea Embankment in London.


    exhibitions by top news for Drawn By Light, the major exhibition of Colin said, ‘It was a genuine thrill to see these


    photographers plus talks


    pictures from the Royal Photographic Society images. After all the recent attention Christina had


    and awards.


    archive curated by Colin that ran recently at the been getting I hoped they would give us sufficient


    visapourlimage.com


    Media Space in London and the National Media clues to finally confirm her identity. It turns out


    More than 140 photography


    Christina wasn’t O’Gorman’s daughter. Indeed, she


    galleries will show work at this


    wasn’t a relative – either close or distant.’


    year’s Paris Photo. The world’s


    largest art fair for photography is Christina Bevan (1897-1981) was the daughter of


    at the Grand Palais in Paris from Edwyn Bevan, a philosopher, writer and lecturer in


    12 to 15 November. Hellenistic Studies at King’s College London. The


    parisphoto.com family lived at Chelsea Embankment, not far from


    Canon equipment worth £5,000 the O’Gorman’s home at Embankment Gardens.


    is on offer in the annual Lombard Colin said: ‘Whatever the link, both families


    manufacturing photography were clearly on friendly, first name terms.


    competition. Photographs can cover


    Christina, Daisy and Anne, walking to the beach in Certainly, the friendship was sufficient for Mervyn


    traditional or high-tech sectors.


    West Lulworth – the location of Christina’s portrait to accompany Daisy and her two daughters on a


    Deadline: 30 September.


    shots, August 1913. Picture by Mervyn O’Gorman, trip to Lulworth Cove in August 1913, where he


    eef.org.uk/photo


    courtesy of Stephen Riddle. took portraits of Christina.’


    44--55__NNEEWWSS__//MMBB..iinndddd 44 0099//0077//22001155 0099::3322 © Christina Broom/Museum of London


    FUNDING


    FOR PROJECT


    French photographer Claude


    Iverné has been named winner


    of the €35,000 HCB Award 2015. ON THE PHONE


    The biennial prize is given by


    DxO has unveiled a high quality


    Fondation Henri Cartier-Bresson


    camera that attaches directly to


    to fund a photo project. Previous


    the iPhone. The DxO One features


    winners include Chris Killip, Josef a 20.2Mp sensor and f/1.8 lens.


    Koudelka and Vanessa Winship. It offers full manual mode and


    henricartierbresson.org uses the iPhone display as the


    camera’s viewfinder. Price: £499.


    © Victoria and Albert Museum, London dxo.com


    Life Guards S. Raper, Sidney Crockett and William H. Beckham,


    13 September 1915 by Christina Broom.


    PIONEER HONOURED


    Pictures by the UK’s first the exposure she deserves.’


    female press photographer are Soldiers and Suffragettes: The


    on display at the Museum of Photography of Christina Broom


    London Docklands. runs until 1 November.


    PAPERS REPLACED


    Christina Broom became


    the family breadwinner when Permajet has withdrawn its Fibre


    her husband was injured in a Based Warmtone and Double


    Sided Portrait papers. The two


    cricket accident in 1903. She


    papers have been replaced by


    photographed newsworthy


    Fibre Based Gold Silk 315gsm and


    Whisper of the Muse by events in London and sold them


    Double Sided Portfolio 230gsm.


    Julia Margaret Cameron, 1865. as postcards. By the time of her


    permajet.com


    death in 1939 she had taken


    IN CELEBRATION 05


    around 40,000 pictures.


    B+W


    Plans are underway to celebrate The exhibition features


    the bicentenary of one of the photographs of suffragettes, First


    most innovative photographers World War soldiers, royal events


    of the 19th century. and sporting occasions, as well as


    Julia Margaret Cameron was letters, notebooks and a cuttings


    born in 1815 and became a bold album. Sharon Ament, director


    and experimental photographer of the Museum of London, said: Christina and Winifred Broom,


    whose portraits helped define ‘This retrospective gives Broom unknown photographer, c.1915.


    the Victorian age.


    The V&A in London will


    celebrate her work with an LOMO ART LENS


    exhibition, Julia Margaret


    Lomography has launched a


    Cameron, featuring more than


    Kickstarter campaign for the New


    100 pictures, including portraits


    Petzval 58 Bokeh Control Art Lens.


    of Alfred Lord Tennyson and


    The lens has a 58mm focal length


    Charles Darwin plus some of and an aperture range of f/1.9 to


    her most experimental work. f/16. It will be available in Canon


    The exhibition runs from and Nikon mounts and is expected


    28 November to 21 February. to be released in December.


    Meanwhile the Science lomography.com


    Museum’s Media Space hosts


    Julia Margaret Cameron: OVERLAPPING


    Influence and Intimacy from Pictures that explore the overlap


    24 September to 28 March. The between photography and the


    show features 94 images Cameron © Bhar Dipayan moving image are on display at


    Families are Living Under the Bridge by Bhar Dipayan.


    compiled for her friend, the the Wapping Project Bankside in


    astronomer Sir John Herschel, as UNDER THE BRIDGE London until 21 August. Work by


    Lillian Bassman, Elina Brotherus,


    well as rare pictures and objects.


    Deborah Turbeville and Thomas


    A series of events will also be This black & white picture by Indian photographer Bhar Dipayan won


    Zanon-Larcher are on show.


    held at Cameron’s former home, him the Atkins CIWEM Young Environmental Photographer of the


    thewappingprojectbankside.


    Dimbola Museum and Galleries Year 2015. An exhibition of winning pictures from the competition is


    com


    on the Isle of Wight. at Grizedale Forest Visitor Centre in Cumbria until 7 September.


    44--55__NNEEWWSS__//MMBB..iinndddd 55 1166//0077//22001155 1100::3322 BPOTY.COM


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