-
Between Stillness and Motion : Film, Photography, Algorithms
FFIILLMM
CCUULLTTUURREE
IN TRANSITION
Between Stillness
and Motion
FILM, PHOTOGRAPHY, ALGORITHMS
EDITED BY
EIVIND RØSSAAK
Amsterdam University Press BetweenStillnessandMotion Between Stillness and Motion
Film, Photography, Algorithms
Edited by Eivind Røssaak The publication of this book is made possible by a grant from the Norwegian
ResearchCouncil.
Frontcoverillustration:TobiasRehberger,OnOtto,filmstill(KimBasinger
watchingTheLadyfromShanghai),uf732uf730uf730uf737.CourtesyFondazionePrada,Milan
Backcoverillustration:StillfromGreggBiermann’sSphericalCoordinates
(uf732uf730uf730uf735)
Coverdesign:KokKorpershoek,Amsterdam
Lay-out:japes,Amsterdam
isbn uf739uf737uf738uf739uf730uf738uf739uf736uf734uf732uf731uf732uf737(paperback)
isbn uf739uf737uf738uf739uf730uf738uf739uf736uf734uf732uf731uf733uf734(hardcover)
e-isbn uf739uf737uf738uf739uf730uf734uf738uf735uf731uf732uf730uf739uf736
nur uf736uf737uf734
©E.Røssaak/AmsterdamUniversityPress,uf732uf730uf731uf731
Allrightsreserved.Withoutlimitingtherightsundercopyrightreservedabove,
nopartofthisbookmaybereproduced,storedinorintroducedintoaretrieval
system,ortransmitted,inanyformorbyanymeans(electronic,mechanical,
photocopying,recordingorotherwise)withoutthewrittenpermissionofboth
thecopyrightownerandtheauthorofthebook. Contents
Acknowledgements uf737
Introduction
TheStill/MovingField:An Introduction uf731uf731
EivindRøssaak
Philosophies of Motion
The Play between Still and Moving Images:Nineteenth-Century
“PhilosophicalToys” andTheir Discourse uf732uf737
TomGunning
Digital TechnicsBeyond the“LastMachine”:Thinking Digital
MediawithHollisFrampton uf734uf735
MarkB.N.Hansen
The Use of Freeze and Slide Motion
TheFigure ofVisualStandstillinR.W.Fassbinder’sFilms uf737uf735
ChristaBlümlinger
TheTemporalitiesoftheNarrative SlideMotionFilm uf738uf735
LivHausken
The Cinematic Turn in the Arts
Stop/Motion uf731uf730uf739
ThomasElsaesser
After “Photography’s Expanded Field” uf731uf732uf733
GeorgeBaker
OnOuf76eOuf774uf774uf76f:MovingImagesand theNewCollectivity uf731uf733uf737
InaBlom 6 BetweenStillnessandMotion
The Algorithmic Turn
Mutable Temporality In and Beyondthe MusicVideo:
AnAesthetic ofPost-Production uf731uf735uf739
ArildFetveit
Algorithmic Culture: Beyondthe Photo/FilmDivide uf731uf738uf737
EivindRøssaak
Archives in Between
“The Archives ofthePlanet” andMontage:The Movementof
the Crowd and“theRhythmofLife” uf732uf730uf737
TrondLundemo
GeneralBibliography uf732uf732uf735
Contributors uf732uf733uf735 Acknowledgements
This book would not have been possible without the help of many generous
colleaguesand supportiveinstitutions.Mysincere thanksgotomyformercol-
legues in the cross-disciplinary research project Media Aesthetics at the Univer-
sity of Oslo and the University of Copenhagen: Liv Hausken, Ina Blom, Arild
Fetveit,andSusanneØstbySæther.Theideaforthisbookwasbornanddevel-
oped during this project. This research project was financed by the Norwegian
Research Council and generously hosted by the Department of Media and
Communication at the University of Oslo. Thanks also to the National Library
of Norway for support in the book’s final stages. Most importantly, thanks to
thecontributorsfortakingpartinthejointbookseminaratLysebuConference
CenteroverlookingthewoodsofOsloinuf732uf730uf730uf738,where theseideaswereconsoli-
dated and developed during lectures, presentations, conversations and idle
talksintothenight.ThankyoualsototheSocietyofCinemaandMediaStudies
forhostingseveralofthepapersattheirconferencesoverthepastdecade.Talks
andconversationswithcolleaguesandstudentsattheseconferencesandatour
respective universities and institutions also helped foster these ideas. Thanks
alsotoChristianRefsum,NevenaIvanova,JihoonFelixKim,JonIngeFaldalen,
D.N.Rodowick,W.J.T.Mitchell,MaryAnnDoaneandAlexanderGallowayfor
inspirationandidletalks,andfinally,toThomasElsaesserformakingthispub-
lishingprojectpossible.Thanksalsotoourtirelesscopyeditor,wordsmithKier-
stenLeighJohnson.
EivindRøssaak
Oslo,BerlinandNewYork,March/Apriluf732uf730uf731uf731 Introduction
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